Timeline

From 1967 to 2000 at Avenue de Villa­mont, then from 2000 to 2021 at Place de la Cathéd­rale, and currently at Plate­forme 10, mudac contin­ues to promote trans­dis­cip­lin­ar­ity and dynamic exchanges with other discip­lines.

Musée des Arts Décor­at­ifs of the City of Lausanne

1967 – 2000

In 1967, the Musée des Arts Décor­at­ifs of the City of Lausanne opened on Avenue Villa­mont. From the outset, its director, Rosmarie Lippu­ner, focused her cura­tion work on contem­por­ary Swiss and inter­na­tional design in all its forms. In 1995, follow­ing an exchange between the City and the Canton, Maison Gaud­ard was returned to the city to house the successor to the Musée des Arts Décor­at­ifs (mudac). For its part, the Canton took over Musée Arlaud, located on Place de la Riponne.

mudac at Place de la Cathéd­rale

2000 – 2021

Listed as a Swiss cultural asset of national import­ance, Maison Gaud­ard comprises several build­ings, the oldest of which date back to the 13th century – the medi­eval heyday of Lausanne.

Exhib­i­tions such as Cache-cache Camou­flage (2002), Nature in a Kit (2009), Play­mobil (2011), Nirvana. Strange Forms of Pleas­ure (2014–2015), Telling Time (2015), Line of Sight (2018) and Nez à Nez. Contem­por­ary Perfumers (2019) were a great success. In the 20 years spent in Maison Gaud­ard, mudac distin­guished itself by its inquis­it­ive and incis­ive look at what shapes our lives.

The City of Lausanne has decided to main­tain the cultural and public voca­tion of this emblem­atic build­ing in the historic district of La Cité. The Maison Gaud­ard has been trans­formed into a house of culture and digital explor­a­tion: Pyxies, an epicen­ter of asso­ci­at­ive, artistic and cultural activ­it­ies.

An "enhanced" mudac at Plate­forme 10

In June 2022, mudac moved into Plate­forme 10, a new, 25,000-square-metre arts district entirely dedic­ated to culture that brings together three renowned museums that are primar­ily inter­ested in visual creation: the Musée cantonal des Beaux-Arts (MCBA), Photo Elysée, and mudac, as well as the Toms Pauli and Félix Vallot­ton Found­a­tions.
Since its creation, mudac has always promoted cross-discip­lin­ar­ity and dynamic exchanges and collab­or­a­tions with other discip­lines and forms of artistic expres­sion.