Timeline

From 1967 to 2000 at Avenue de Villamont, then from 2000 to 2021 at Place de la Cathédrale, and currently at Plateforme 10, mudac continues to promote transdisciplinarity and dynamic exchanges with other disciplines.

Musée des Arts Décor­at­ifs of the City of Lausanne

1967 – 2000

In 1967, the Musée des Arts Décor­at­ifs of the City of Lausanne opened on Avenue Villa­mont. From the outset, its director, Rosmarie Lippu­ner, focused her cura­tion work on contem­por­ary Swiss and inter­na­tional design in all its forms. In 1995, follow­ing an exchange between the City and the Canton, Maison Gaud­ard was returned to the city to house the successor to the Musée des Arts Décor­at­ifs (mudac). For its part, the Canton took over Musée Arlaud, located on Place de la Riponne.

mudac at Place de la Cathéd­rale

2000 – 2021

Listed as a Swiss cultural asset of national import­ance, Maison Gaud­ard comprises several build­ings, the oldest of which date back to the 13th century – the medi­eval heyday of Lausanne.

Exhib­i­tions such as Cache-cache Camou­flage (2002), Nature in a Kit (2009), Play­mobil (2011), Nirvana. Strange Forms of Pleas­ure (2014–2015), Telling Time (2015), Line of Sight (2018) and Nez à Nez. Contem­por­ary Perfumers (2019) were a great success. In the 20 years spent in Maison Gaud­ard, mudac distin­guished itself by its inquis­it­ive and incis­ive look at what shapes our lives.

The City of Lausanne has decided to main­tain the cultural and public voca­tion of this emblem­atic build­ing in the historic district of La Cité. The Maison Gaud­ard has been trans­formed into a house of culture and digital explor­a­tion: Pyxies, an epicen­ter of asso­ci­at­ive, artistic and cultural activ­it­ies.

An “enhanced” mudac at Plate­forme 10

In June 2022, mudac moved into Plate­forme 10, a new, 25,000-square-metre arts district entirely dedic­ated to culture that brings together three renowned museums that are primar­ily inter­ested in visual creation: the Musée cantonal des Beaux-Arts (MCBA), Photo Elysée, and mudac, as well as the Toms Pauli and Félix Vallot­ton Found­a­tions.
Since its creation, mudac has always promoted cross-discip­lin­ar­ity and dynamic exchanges and collab­or­a­tions with other discip­lines and forms of artistic expres­sion.