mudac has forged a meaningful link with the exhibition Thalassa! Thalassa! Imagery of the Sea, hosted by the MCBA (Cantonal Museum of Fine Arts) from 4 October 2024 to 12 January 2025, with a display exploring the fragile beauty of the oceans.
Despite serious threats such as plastic pollution, ocean acidification, and overfishing, the seabed is home to many fascinating and inspiring wonders. Beneath the waves, multi-coloured coral reefs, majestic seaweed forests, and creatures of amazing shapes and colours thrive, creating rich and diverse ecosystems that are essential to the world’s ecological equilibrium.
The works presented at mudac are an invitation to reflect on the need to protect these ecosystems, while also supporting their resilience and vulnerability in the face of environmental change. The beauty and fragility of the seabed are a reminder of the urgency of preserving this unique and precious biodiversity.
Olga Kokcharova
Strombos / Reverse Inherence, 2024
Strombos / Inhérence inversée is a sound creation that is conceptually based on the evolution through the ages of the different interpretations of the sound that can be heard inside a shell. From a mouth that sings, speaks and sighs, echoing myths and distant oceanic pasts, the shell has been transformed over the course of history into an object that captures and reproduces our immediate environment. The analogy with the sound of the waves is based on the fact that we instinctively associate the shell with the sea, its native environment, which explains why, when we bring the shell close to our ear, we believe we hear the echo of the ocean. Later still, the claim emerged that what we hear inside the conch shells is the flow of our own blood.
Thus, superstition is gradually replaced by rational reasoning, and sublime enchantment is replaced by fascinating facts. Following this narrative line, Strombos / Inhérence inversée, which comprises a wide palette of sounds of exclusively marine origin, invites each and every one of us to explore, through listening, our own intimate link with the immense expanse of water from which life once emerged.
Duration: 1h
Start: On the hour
Elise Rigot
In 2024, mudac acquired two design research series by Elise Rigot. Each looks at coral and its future in the light of climate change.
Amoncellement et dissolution, 2021
(Accumulation & Dissolution)
In the beginning was a heap. This is how the early life strategy of red coral begins, in a shapeless heap. The larva, lying and clinging to a piece of landscape, surrounds itself with precisely sculpted shapes. Each piece produces different shapes of sclerites, small elements of calcite, which will soon form the basis of the coral’s hard skeleton. Scientists are concerned about the acidification of the oceans. CO2 emissions in our atmosphere are reaching the oceans. The CO2 dissolves in the water, which, through a chemical reaction, acidifies the ocean. Some researchers, notably Daniel Vielzeuf and Lorenzo Bramanti, have observed changes in the geometry of the sclerites of Mediterranean red coral. What happens if the growth strategies of corals are altered from their first weeks of life? These tiny mineral structures are placed opposite each other, mirrored, enlarged as evidence from the seas. One is amputated from a piece of the other.
Retour d’expédition océan Indien, 2023
(Return from Indian Ocean expedition)
These five micro-architectural pieces represent small altars dedicated to seaweed, the coralline algae: five objects of cultural outreach and dialogue that invite us to bring to life, in our mouths, these inhabitants of the ocean, which look so much like pebbles but are in fact encrusting algae. Are you familiar with coralline algae? Clearly one can only look after what one knows and cares about. These common yet little-known algae populate the Saya de Malha bank, a plateau covered with an underwater meadow that was the subject of the Indian Ocean mission led by Les Explorations de Monaco in 2022. Each of these objects highlights a particular property of coralline: its ability to aggregate species on itself, its very ancient geological time scale, the place where it was discovered – Saya de Malha – and its hard, pink materiality due to the photosynthetic reaction of its pigments.
Amoncellement et dissolution, 2021 | Pieces manufactured at the Ateliers du Faire of the Fondation d’entreprise Martell à Cognac |
Retour d’expédition océan Indien, 2023 | Pieces made at the FabLAAS at LAAS-CNRS 3D printing (PLA) and plywood panels |
Scientific advisor | Line Le Gall (PR. MNHN) |
Assistant designer | Emmanuel Boyadjian |